John Logan’s taut, visceral two-hander, Red, features artist Mark Rothko at the height of his career. Viewed through the lens of his youthful new assistant, Ken, we witness Rothko at the pinnacle of his creativity, but struggling through the creation of a series of large paintings, commissioned as a series intended to feature in New York’s brand-new Four Seasons Restaurant. As Ken and Rothko paint, they challenge each other to ask big questions about art: what it takes to create it and what its role should be in the world. Set in the 1950s, and based on a series of real events, Red takes a compelling look at the ever-changing relationship between an artist and his creations.
John Logan’s taut, visceral two-hander, Red, features artist Mark Rothko at the height of his career. Viewed through the lens of his youthful new assistant, Ken, we witness Rothko at the pinnacle of his creativity, but struggling through the creation of a series of large paintings, commissioned as a series intended to feature in New York’s brand-new Four Seasons Restaurant. As Ken and Rothko paint, they challenge each other to ask big questions about art: what it takes to create it and what its role should be in the world. Set in the 1950s, and based on a series of real events, Red takes a compelling look at the ever-changing relationship between an artist and his creations.
John Logan’s taut, visceral two-hander, Red, features artist Mark Rothko at the height of his career. Viewed through the lens of his youthful new assistant, Ken, we witness Rothko at the pinnacle of his creativity, but struggling through the creation of a series of large paintings, commissioned as a series intended to feature in New York’s brand-new Four Seasons Restaurant. As Ken and Rothko paint, they challenge each other to ask big questions about art: what it takes to create it and what its role should be in the world. Set in the 1950s, and based on a series of real events, Red takes a compelling look at the ever-changing relationship between an artist and his creations.
John Logan’s taut, visceral two-hander, Red, features artist Mark Rothko at the height of his career. Viewed through the lens of his youthful new assistant, Ken, we witness Rothko at the pinnacle of his creativity, but struggling through the creation of a series of large paintings, commissioned as a series intended to feature in New York’s brand-new Four Seasons Restaurant. As Ken and Rothko paint, they challenge each other to ask big questions about art: what it takes to create it and what its role should be in the world. Set in the 1950s, and based on a series of real events, Red takes a compelling look at the ever-changing relationship between an artist and his creations.
John Logan’s taut, visceral two-hander, Red, features artist Mark Rothko at the height of his career. Viewed through the lens of his youthful new assistant, Ken, we witness Rothko at the pinnacle of his creativity, but struggling through the creation of a series of large paintings, commissioned as a series intended to feature in New York’s brand-new Four Seasons Restaurant. As Ken and Rothko paint, they challenge each other to ask big questions about art: what it takes to create it and what its role should be in the world. Set in the 1950s, and based on a series of real events, Red takes a compelling look at the ever-changing relationship between an artist and his creations.
John Logan’s taut, visceral two-hander, Red, features artist Mark Rothko at the height of his career. Viewed through the lens of his youthful new assistant, Ken, we witness Rothko at the pinnacle of his creativity, but struggling through the creation of a series of large paintings, commissioned as a series intended to feature in New York’s brand-new Four Seasons Restaurant. As Ken and Rothko paint, they challenge each other to ask big questions about art: what it takes to create it and what its role should be in the world. Set in the 1950s, and based on a series of real events, Red takes a compelling look at the ever-changing relationship between an artist and his creations.
Dirty Rotten Scoundrels, based on the popular 1988 MGM film, takes us to the French Riviera for high jinks and hilarity. Sophisticated, suave with a good dash of mischief, this hysterical comedy features a delightfully jazzy score by David Yazbek (The Full Monty) and was nominated for a staggering eleven Tony Awards.
Lawrence Jameson makes his lavish living by talking rich ladies out of their money. Freddy Benson more humbly swindles women by waking their compassion with fabricated stories about his grandmother’s failing health. After meeting on a train,…
- Wed Aug 8, 2018 | 7:30PM
- Thu Aug 9, 2018 | 7:30PM
- Fri Aug 10, 2018 | 7:30PM
- Sat Aug 11, 2018 | 7:30PM
- Sun Aug 12, 2018 | 3:00PM
- Wed Aug 15, 2018 | 7:30PM
- Thu Aug 16, 2018 | 7:30PM
- Fri Aug 17, 2018 | 7:30PM
- Sat Aug 18, 2018 | 7:30PM
- Sun Aug 19, 2018 | 3:00PM
- Fri Aug 24, 2018 | 7:30PM
- Sat Aug 25, 2018 | 7:30PM
- Sun Aug 26, 2018 | 3:30PM
Dirty Rotten Scoundrels, based on the popular 1988 MGM film, takes us to the French Riviera for high jinks and hilarity. Sophisticated, suave with a good dash of mischief, this hysterical comedy features a delightfully jazzy score by David Yazbek (The Full Monty) and was nominated for a staggering eleven Tony Awards.
Lawrence Jameson makes his lavish living by talking rich ladies out of their money. Freddy Benson more humbly swindles women by waking their compassion with fabricated stories about his grandmother’s failing health. After meeting on a train,…
- Wed Aug 8, 2018 | 7:30PM
- Thu Aug 9, 2018 | 7:30PM
- Fri Aug 10, 2018 | 7:30PM
- Sat Aug 11, 2018 | 7:30PM
- Sun Aug 12, 2018 | 3:00PM
- Wed Aug 15, 2018 | 7:30PM
- Thu Aug 16, 2018 | 7:30PM
- Fri Aug 17, 2018 | 7:30PM
- Sat Aug 18, 2018 | 7:30PM
- Sun Aug 19, 2018 | 3:00PM
- Fri Aug 24, 2018 | 7:30PM
- Sat Aug 25, 2018 | 7:30PM
- Sun Aug 26, 2018 | 3:30PM
Dirty Rotten Scoundrels, based on the popular 1988 MGM film, takes us to the French Riviera for high jinks and hilarity. Sophisticated, suave with a good dash of mischief, this hysterical comedy features a delightfully jazzy score by David Yazbek (The Full Monty) and was nominated for a staggering eleven Tony Awards.
Lawrence Jameson makes his lavish living by talking rich ladies out of their money. Freddy Benson more humbly swindles women by waking their compassion with fabricated stories about his grandmother’s failing health. After meeting on a train,…
- Wed Aug 8, 2018 | 7:30PM
- Thu Aug 9, 2018 | 7:30PM
- Fri Aug 10, 2018 | 7:30PM
- Sat Aug 11, 2018 | 7:30PM
- Sun Aug 12, 2018 | 3:00PM
- Wed Aug 15, 2018 | 7:30PM
- Thu Aug 16, 2018 | 7:30PM
- Fri Aug 17, 2018 | 7:30PM
- Sat Aug 18, 2018 | 7:30PM
- Sun Aug 19, 2018 | 3:00PM
- Fri Aug 24, 2018 | 7:30PM
- Sat Aug 25, 2018 | 7:30PM
- Sun Aug 26, 2018 | 3:30PM