THE ART OF HEATHER MACALI
Monday, Oct. 21-Friday, Nov. 22
Heather Macali’s woven compositions are infused with an adoration of colors and patterns arising from childhood experiences steeped in the material culture of the Midwest, specifically beloved 1980s and 1990s games and cartoons such as Transformers and Rainbow Brite. Compelled to create work that is inspired by positive memories from this time, Macali has chosen to combat society’s addition to violent stories using vibrant colors and visually stimulating patterns.
GALLERY HOURS: 9 A.M. TO 5 P.M.
ARTIST LECTURE: THURSDAY, NOV. 7, 2 P.M.
GALLERY RECEPTION: THURSDAY, NOV. 7, 4:30-6:30 P.M.
Rebecca Randall Bryan Art Gallery, Edwards 129
Admission: Free and open to the public (no ticket required)
THE ART OF HEATHER MACALI
Monday, Oct. 21-Friday, Nov. 22
Heather Macali’s woven compositions are infused with an adoration of colors and patterns arising from childhood experiences steeped in the material culture of the Midwest, specifically beloved 1980s and 1990s games and cartoons such as Transformers and Rainbow Brite. Compelled to create work that is inspired by positive memories from this time, Macali has chosen to combat society’s addition to violent stories using vibrant colors and visually stimulating patterns.
GALLERY HOURS: 9 A.M. TO 5 P.M.
ARTIST LECTURE: THURSDAY, NOV. 7, 2 P.M.
GALLERY RECEPTION: THURSDAY, NOV. 7, 4:30-6:30 P.M.
Rebecca Randall Bryan Art Gallery, Edwards 129
Admission: Free and open to the public (no ticket required)
THE ART OF HEATHER MACALI
Monday, Oct. 21-Friday, Nov. 22
Heather Macali’s woven compositions are infused with an adoration of colors and patterns arising from childhood experiences steeped in the material culture of the Midwest, specifically beloved 1980s and 1990s games and cartoons such as Transformers and Rainbow Brite. Compelled to create work that is inspired by positive memories from this time, Macali has chosen to combat society’s addition to violent stories using vibrant colors and visually stimulating patterns.
GALLERY HOURS: 9 A.M. TO 5 P.M.
ARTIST LECTURE: THURSDAY, NOV. 7, 2 P.M.
GALLERY RECEPTION: THURSDAY, NOV. 7, 4:30-6:30 P.M.
Rebecca Randall Bryan Art Gallery, Edwards 129
Admission: Free and open to the public (no ticket required)
THE ART OF HEATHER MACALI
Monday, Oct. 21-Friday, Nov. 22
Heather Macali’s woven compositions are infused with an adoration of colors and patterns arising from childhood experiences steeped in the material culture of the Midwest, specifically beloved 1980s and 1990s games and cartoons such as Transformers and Rainbow Brite. Compelled to create work that is inspired by positive memories from this time, Macali has chosen to combat society’s addition to violent stories using vibrant colors and visually stimulating patterns.
GALLERY HOURS: 9 A.M. TO 5 P.M.
ARTIST LECTURE: THURSDAY, NOV. 7, 2 P.M.
GALLERY RECEPTION: THURSDAY, NOV. 7, 4:30-6:30 P.M.
Rebecca Randall Bryan Art Gallery, Edwards 129
Admission: Free and open to the public (no ticket required)
On the Coastal Carolina campus
Mayumi Amada
Mayumi Amada’s Japanese cultural heritage is interwoven to the work she creates. Reflecting on it from the United states, she explores how reusable materials and recycling echo concepts from Buddhism and Zen philosophies. The idea of “reuse” and “recycling” contains the meaning of “rebirth” and “giving new life”. Her artwork is focused on a circle of life and eternity in mortality. Through repeated stitches and patterns, Mayumi explores the repetition of generations using traditional techniques and their iconography handed down through lace-work and dollies.
On the Coastal Carolina campus
Mayumi Amada
Mayumi Amada’s Japanese cultural heritage is interwoven to the work she creates. Reflecting on it from the United states, she explores how reusable materials and recycling echo concepts from Buddhism and Zen philosophies. The idea of “reuse” and “recycling” contains the meaning of “rebirth” and “giving new life”. Her artwork is focused on a circle of life and eternity in mortality. Through repeated stitches and patterns, Mayumi explores the repetition of generations using traditional techniques and their iconography handed down through lace-work and dollies.
On the Coastal Carolina campus
Mayumi Amada
Mayumi Amada’s Japanese cultural heritage is interwoven to the work she creates. Reflecting on it from the United states, she explores how reusable materials and recycling echo concepts from Buddhism and Zen philosophies. The idea of “reuse” and “recycling” contains the meaning of “rebirth” and “giving new life”. Her artwork is focused on a circle of life and eternity in mortality. Through repeated stitches and patterns, Mayumi explores the repetition of generations using traditional techniques and their iconography handed down through lace-work and dollies.
On the Coastal Carolina campus
Mayumi Amada
Mayumi Amada’s Japanese cultural heritage is interwoven to the work she creates. Reflecting on it from the United states, she explores how reusable materials and recycling echo concepts from Buddhism and Zen philosophies. The idea of “reuse” and “recycling” contains the meaning of “rebirth” and “giving new life”. Her artwork is focused on a circle of life and eternity in mortality. Through repeated stitches and patterns, Mayumi explores the repetition of generations using traditional techniques and their iconography handed down through lace-work and dollies.
On the Coastal Carolina campus
Mayumi Amada
Mayumi Amada’s Japanese cultural heritage is interwoven to the work she creates. Reflecting on it from the United states, she explores how reusable materials and recycling echo concepts from Buddhism and Zen philosophies. The idea of “reuse” and “recycling” contains the meaning of “rebirth” and “giving new life”. Her artwork is focused on a circle of life and eternity in mortality. Through repeated stitches and patterns, Mayumi explores the repetition of generations using traditional techniques and their iconography handed down through lace-work and dollies.
On the Coastal Carolina campus
Mayumi Amada
Mayumi Amada’s Japanese cultural heritage is interwoven to the work she creates. Reflecting on it from the United states, she explores how reusable materials and recycling echo concepts from Buddhism and Zen philosophies. The idea of “reuse” and “recycling” contains the meaning of “rebirth” and “giving new life”. Her artwork is focused on a circle of life and eternity in mortality. Through repeated stitches and patterns, Mayumi explores the repetition of generations using traditional techniques and their iconography handed down through lace-work and dollies.